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And again in Silence and The cellist, the moment of reflection, of meditation, cannot help but tune in and be accompanied by music, by the harmonic movement of the body when it dances or when it makes the strings of a musical instrument vibrate as if the deepening phase needed that emotional concentration, that external harmony to induce the protagonists to look for the deepest one, the inner one.

Marta Lock,  in L’Opinionista

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